Hip-hop In Its Twenties: A Retrospective
Jazz Great Wynton Marsalis called it “ghetto minstrelsy” while rapper Snoop Dogg said “hip-hop is what makes the world go around”. Some have said that it simply perpetuates countless age-old stereotypes while others insist that hip-hop gives a creative outlet to urban youth. If the genre has done one thing over the course of its twenty plus year existence, it has sparked controversy. Its lyrical content and legitimacy as an art form have been questioned again and again, but those who sing its praises say it is a product of it’s inner-city environment. Regardless of what they say, hip-hop has become one of the most popular genres of music on the planet and shows no signs of waining. It must be on to something…
Michael Eric Dyson certainly thinks so. A Professor at the University of Pennsylvania, Dyson has become one of the foremost thinkers of the “hip-hop intelligentsia”, and was voted one of the 100 most influential black Americans by Ebony. His latest project is Know What I Mean?: Reflections on Hip-Hop, a series of essays that consider some of the pertinent issues surrounding the genre, from its often times profane and sexist lyrical content to the inadvertent self-parody caused by its rampant commercial success. The book also features an intro by Jay-Z and an outro by Nas.
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